Grey Crane Long Satin Robe 'Tsurugin'
Grey Crane Long Satin Robe with White Tsuru and Soft Silver Sheen
Tsurugin pulls its name from gin — silver, the colour that ran through old Japanese ink wash painting where everything stayed in shades of grey. The robe runs in dove grey satin, with white tsuru — Japanese cranes — drifting upward across the lower half of the body, wings fully spread. In old Japanese symbolism the crane stands for long life and faithful return. The grey ground reads softer than black or navy, the cranes drift across it the way sumi-e brushwork lays figures on rice paper. It's the quietest piece in the crane line, the one for foggy mornings.
The cut follows the traditional silhouette: wide three-quarter sleeves, a deep V-collar, a wrap front tied at the waist with the included satin belt. The length falls to mid-calf, somewhere between robe and dress, made to be belted loose or pulled tight. The fabric is polyester satin — fluid, smooth against the skin, holding its drape rather than clinging to it. Seams are reinforced for daily wear. The cut runs slim, and a size up gives more room for layering or a fuller shape.
You get the kimono robe and its matching satin belt. The print holds its tone through regular wear and gentle hand-washing. No costume packaging, no plastic accessory clutter — just the garment, ready to be folded into your wardrobe alongside everything else you actually wear.
Wear it open over white linen and bare ankles, or tied tight over jeans and a fitted tee for a softer evening. It pairs with leather sandals, with worn-in trainers, with bare feet on a wood floor. There are two Japans in every wardrobe; this one leans toward the foggy-morning side — wabi-sabi register, slow light, no hurry. Free standard delivery.
Original: $55.00
-65%$55.00
$19.25
Description
Grey Crane Long Satin Robe with White Tsuru and Soft Silver Sheen
Tsurugin pulls its name from gin — silver, the colour that ran through old Japanese ink wash painting where everything stayed in shades of grey. The robe runs in dove grey satin, with white tsuru — Japanese cranes — drifting upward across the lower half of the body, wings fully spread. In old Japanese symbolism the crane stands for long life and faithful return. The grey ground reads softer than black or navy, the cranes drift across it the way sumi-e brushwork lays figures on rice paper. It's the quietest piece in the crane line, the one for foggy mornings.
The cut follows the traditional silhouette: wide three-quarter sleeves, a deep V-collar, a wrap front tied at the waist with the included satin belt. The length falls to mid-calf, somewhere between robe and dress, made to be belted loose or pulled tight. The fabric is polyester satin — fluid, smooth against the skin, holding its drape rather than clinging to it. Seams are reinforced for daily wear. The cut runs slim, and a size up gives more room for layering or a fuller shape.
You get the kimono robe and its matching satin belt. The print holds its tone through regular wear and gentle hand-washing. No costume packaging, no plastic accessory clutter — just the garment, ready to be folded into your wardrobe alongside everything else you actually wear.
Wear it open over white linen and bare ankles, or tied tight over jeans and a fitted tee for a softer evening. It pairs with leather sandals, with worn-in trainers, with bare feet on a wood floor. There are two Japans in every wardrobe; this one leans toward the foggy-morning side — wabi-sabi register, slow light, no hurry. Free standard delivery.
