Red Floral Kimono Two-Piece Set 'Yushoku'
Red Floral Kimono Top with Black Skirt, Crossover V-Neck and Side Tie
Yushoku reads roughly as evening colour — yu for dusk, shoku for hue — and the set carries the dual register of late light: a deep red kimono-style top in the upper half, a deep black skirt in the lower. The top crosses left-over-right at the V-neck the way a traditional kimono does, fastened at the side with a tied ribbon. The fabric is a cotton-poly blend printed with large white camellias and scattered florals, the kind of bold-flower composition Showa-era textile printers favoured for casual yukata. Half-length kimono sleeves drop wide at the wrist. The skirt below is mid-calf, in solid black with a contrasting red ribbon belt that ties at the front — the visual rhyme that keeps the set together.
The cut sits as two distinct pieces designed to be worn together: the top wraps and ties, the skirt slides on with an elastic waist hidden under the ribbon belt. The overall effect is a hakama-inspired silhouette without the rigorous traditional construction. Sizes run S, M, L and XL; the set is sold as a full two-piece set and not by separate pieces.
You get both pieces — the printed kimono-style top and the solid black skirt with its red ribbon belt — packaged plainly. The print holds its tone through regular wear and gentle cold-water hand-washing. No costume packaging, no plastic accessory clutter, no festival fancy-dress framing.
Wear it with bare ankles and leather sandals for warm summer evenings, with sheer tights and low boots when the air turns cooler. It pairs as cleanly with hair worn loose and bare ears as it does with a single hair pin and small earrings — the print does enough work that the rest can stay restrained. Read it as a yukata silhouette pulled into modern wear, kept just contemporary enough to walk through a city without reading as costume.
Original: $65.00
-65%$65.00
$22.75
Description
Red Floral Kimono Top with Black Skirt, Crossover V-Neck and Side Tie
Yushoku reads roughly as evening colour — yu for dusk, shoku for hue — and the set carries the dual register of late light: a deep red kimono-style top in the upper half, a deep black skirt in the lower. The top crosses left-over-right at the V-neck the way a traditional kimono does, fastened at the side with a tied ribbon. The fabric is a cotton-poly blend printed with large white camellias and scattered florals, the kind of bold-flower composition Showa-era textile printers favoured for casual yukata. Half-length kimono sleeves drop wide at the wrist. The skirt below is mid-calf, in solid black with a contrasting red ribbon belt that ties at the front — the visual rhyme that keeps the set together.
The cut sits as two distinct pieces designed to be worn together: the top wraps and ties, the skirt slides on with an elastic waist hidden under the ribbon belt. The overall effect is a hakama-inspired silhouette without the rigorous traditional construction. Sizes run S, M, L and XL; the set is sold as a full two-piece set and not by separate pieces.
You get both pieces — the printed kimono-style top and the solid black skirt with its red ribbon belt — packaged plainly. The print holds its tone through regular wear and gentle cold-water hand-washing. No costume packaging, no plastic accessory clutter, no festival fancy-dress framing.
Wear it with bare ankles and leather sandals for warm summer evenings, with sheer tights and low boots when the air turns cooler. It pairs as cleanly with hair worn loose and bare ears as it does with a single hair pin and small earrings — the print does enough work that the rest can stay restrained. Read it as a yukata silhouette pulled into modern wear, kept just contemporary enough to walk through a city without reading as costume.
